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Institubes

La Dernière Séance

March 15, 2011

This evening became eerily somber after we read this write-up from Institubes’ label manager and A&R boss Jean-René Etienne (via Emile Shahidi) on behalf of the entire Institubes’ upper brass. On the surface, the most disturbing fact to be drawn from his words is that Institubes has been hereby dissolved as an electronic music label — startling considering the mass talent-base they possess. But what’s perhaps more troubling is Etienne’s stark account of the music industry today, and the poison that saturates music politics. He paints a very disturbing picture that essentially calls-out unethical consumer behavior, problematic label etiquette, and the plain injustices of modernism. Among other things, he goes on to say:

“I could write ten pages about the realities and difficulties of the music business but you’ll only get about two paragraphs and not much whining. We never lived those halcyon days some industry elders tend to rave about. We always moved through a post-apocalyptic, terminally pauperized landscape, complete with irradiated A&R zombies and mutated eyeless bloggers. It’s always been a bit of an uphill battle. But it got worse and worse. At first it was fun to figure out ways to get people to check out our music. But once that’s done and you have something resembling an audience, it becomes apparent that this is not really your job. Your job is to reconcile the public with the very idea of buying records. All the power to you if you can bear it.”

This will surely send a shockwave throughout the entire industry, and we’re really eager to hear some of the responses from some of the more respected voices in the scene. Stay tuned, as I’m sure their will be no shortage of press here. What we can tell you at this point is there seems to be a whole lot of hype surrounding Marble at the moment. Stay tuned for more info.

Institubes (2003-2011)

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Watching You

February 8, 2011

We’re always very interested to see what’s going on at Sound Pellegrino headquarters, keeping close tabs on their forthcoming releases, while staying up to date with Teki’s always intriguing Twitter account. By now, you’ll know that for the entirety of 2009, this label could do no wrong, catapulting names like Renaissance Man, Momma’s Boy, Harvard Bass, Douster and Gucci Vump to the forefront of electronic music, repeatedly shocking the world with a series of incredible EPs, exclusively for digital download.

In more recent times; however, the releases haven’t quite tickled our fancy in quite the same way. Maybe we’re simply not adjusting well to the evolution of forward-thinking house music, or maybe they’re just overthinking the forwardness altogether. In our estimation, it’s more of the latter, but I’m sure Teki and Orgasmic would gladly refute that.

Next on the short-term agenda for the Institubes sub-label, is an EP by German duo Savage Skulls, whom I was surprised to discover do quite a bit of unheralded ghost producing — including work on Robyn‘s album, as well as work on Carli and Marcus Price’s “Matt Bira Kvinnor Weed” EP. Not bad side gigs in addition to their release on Dubsided, and of course their work with Douster and Tony Senghore.

Their latest work, set to join the Sound Pellegrino catalog in the coming weeks, is a step in the right direction for all parties involved. Both Caravan and Watching You have quality production finger prints all over them, and the remixes by Jacques Greene and Payme are both really tasteful additions to the release. Greene goes with his typical funked-out future-music touch, will Payme hops of the 303 bandwagon and fashions a pretty stylish acid loop. Check out the entire release below, and comment away.

SAVAGE SKULLS – Caravan / Watching You EP

Savage Skulls | myspace

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It’s not often (actually never) that we’ve enjoyed a fellow blog post so much that we felt obligated to give it a shout out on our site — well today’s a first. Our blogging bredrins over at DiscoDust put together an exquisite interview which featured one half of the founding fathers of the Institubes sub-label, Sound Pellegrino — namely Teki Latex. In celebration of SP’s first birthday, DiscoDust appropriately inquired about the year that was, and what the future holds.

First things first, we’d like to shout out DiscoDust as top-notch surveyors of electronic music, and we highly suggest you make them a part of your daily browsing routine. Check DiscoDust’s full interview with Teki Latex, HERE.

As a teaser, we thought we’d outline a list of one-liners that Teki lovingly ascribed to each producer who has graced the SNP label. The 10-20 word quips suggest that Teki’s ingenuity goes far beyond the realm of listening to house music — some of these are absolutely genius, so enjoy! Also, click on the artist’s name for virtual teleportation to their myspace.

Zombie Disco Squad: “The dons, the ever evolving tasteful gentlemen of gangster house.”

Douster: “The good king of lazer cumbia and sand-storm-reggeton, rider of the electrical dinosaur beats.”

Harvard Bass: “The latin prince of barrio jacking house, the hood champion with a dark leather techno side.”

Renaissance Man: “Architects of the house of ancient gods, meticulously crafting sparse conceptual beats no one can fuck with.”

Momma’s Boy: “Wise and ultra prolific street cat, master of the drunken bird tweet melodies and stomping grooves.”

Gucci Vump: “Godfathers of futuristic snake charming folk-pop, digital gypsy-thug womanizers, the mystery van.”

L-Vis 1990: “The visionary, the keeper of the oracle of the next shit, the golden child of flying london cab music.”

Solo: “The brain, the human pro tools station, the prophetic re-unifier of underground and mainstream house.”

Nouveau Yorican: “The lady and the wizard, united keepers of jack’s groove, the dutch legend and the latin panther.”

Bart B More: “The cool dude with the sacred gift, the bumping house prodigy, the karate kid.”

Para One: “The tormented hero with the duty to save the world, the melodic genius on a mission, the last great composer.”

Once again, thanks to DiscoDust for the tremendous work in putting the Teki interview together. They are truly first-rate members of the blogging fraternity, and we’re more than happy to showcase a bit of their work. Support them accordingly.

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Brite Glow

October 29, 2009

Das Glow x Strip Steve

The Lite Brite Remixes collection, released on Institubes earlier this month, had no shortage of creative talent; however, the one rendition that seemingly stood out from the rest was the Strip Steve workout. On the surface, this Institubes & BNR collaboration is rife with big name cred (namely, Das Glow and Strip Steve), and you will be happy to hear that the product coming through the speakers is proportionate to that lofty billing.

Just a heads-up, the track itself doesn’t particularly bang, but it is all things free-wheeling French-funk that will almost certainly lead to uncontrollable head-nodding and toe-tapping. The imagination these dudes have, to pull together such unconventional sounds, and churn out a super-chill, yet totally d-floor friendly tune, is beyond me. Definitely take the time to peep this one, and the full remix album, available HERE.

Das Glow – Lite Brite (Strip Steve Remix)

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The Vamp

Das Glow | myspace | beatport

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Phat Cat

September 4, 2009

Mikix The Cat

Arguably one of the biggest August releases was the fifth installment from the Sound Pellegrino catologue (“WedouWedou / Give It Up EP”), an EP that showcased the very talented Parisian producer “Momma’s Boy”. The release was met with global acclaim, on a budding Institubes sub-label that we have been raving over for time.

Momma’s Boy’s sudden fame in the Western Hemisphere leaves the vast majority without any idea of this dude’s humble beginnings under the alias “Mikix The Cat”. Known as a breakdancing marvel in the mean streets of Paris, Mikix wisely decided to hang up the tap shoes, and spin records — instead of himself. Mikix The Cat (or Momma’s Boy) has become one of the most widely recognized and celebrated young Parisian producers to date, and has made it his calling to create heavy bass productions. With releases on Trouble & Bass, Fabric London, as well as the aforementioned Sound Pellegrino, you shouldn’t have a difficult time finding his high-quality stuff.

The track we have for you all today was a piece that Mikix The Cat featured on his own blog. Upon the first listen, we fell in love, and we highly recommend checking it out. Funny enough, the track’s called “Check Dis Out”, so by all means, do it up.

Mikix The Cat – Check Dis Out

The Vamp

Mikix The Cat | myspace | facebook | beatport

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Jaws Theme Spinning

August 6, 2009

Sharkslayer

Tonight’s feature track is a rework by the Finnish duo of Sir Nenis (of Top Billin Music fame) and DJ Pushup. As you can imagine, this tandem is widely known as Sharkslayer, and their tracks have been continuously popping up on our radar — or should we say ‘sonar’. Sharkslayer have successfully dropped two 12″ EP’s in the past two years, with “So Sincere” being the latest, which was featured on the Real Monsters record label. The duo were also commissioned to remix the hugely popular Renaissance Man track “Spraycan”.

One of Sharkslayer’s latest works is a treatment of the Digital Manges’ track, entitled “Manges”. The uneventful (and unimpressive) intro is deceiving, because when the contagious bassline drops at the one-minute mark, the track bursts outta control, and becomes completely addictive. We’re loving the very distinct French house-sound that has been catching fire amongst the Institubes and Sound Pellegrino circles, and this piece falls directly in that category. Very nicely done.

Digital Manges – Manges (Sharkslayer Dub)

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The Vamp

Sharkslayer | myspace | beatport

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Renaissance Man

Coming straight from the “how-the-hell-did-this-fall-between-the-cracks” file, we have an absolute boomer for you, stemming from one of Sound Pellegrino’s biggest names– Renaissance Man. The duo from Finland, who also go by “Downtown and Jaxxon” have managed to appear on Switch’s Dubsided label, as well as Kitsuné and Institubes– all within in the last year.

Renaissance Man’s Spraycan EP was the work that graced Dubsided earlier this year, and that EP is the focal point of our conversation today. Granted that the EP came out in early April, once again, we can’t fathom an electro-lover not having it in their possession. So we’d like to share a piece of it with you today.

As we all witnessed, the track Spraycan surfaced everywhere — Brodinksi sets, Duke Dumont sets, etc. etc. It was mad hysteria. Naturally, all the hooplah that surrounded Spraycan caused the track “Haarlem” to slip through the cracks. With a noise ripping baseline and dip-dive rhythm that straight-out bumps, you’d be silly not to cop the 320kbps version below and go wild.

Renaissance Man – Haarlem

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The Vamp

Renaissance Man | myspace | facebook | beatport

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